the universe is indifferent //
architect | dazed | confused
the universe is indifferent //
+

Outtake for Emma’s protest against Turkish Deputy Prime Minister’s comment! ‘All women to stop laughing in public!’
+
+
+
+
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
archatlas:

Songpa Micro-Housing Korea SsD

"The problem of urban density and housing costs is global. As unit types get smaller however, land costs coupled with developer driven profit margins merely create a provisional housing type with little social value. By mining the discrepancy between maximum floor area ratios and maximum zoning envelopes, there is an opportunity to provide an extension of the housing unit within semi-public circulation, balconies, and the thickness of walls. Like the ambiguous gel around a tapioca pearl, this ‘Tapioca Space’ becomes a soft intersection between public/private and interior/exterior building social fabrics between immediate neighbors. Finally, as this is housing for emerging artists, exhibition spaces on the ground floor and basement are spatially linked to the units as a shared living room. Although the zoning regulations requires the building to be lifted for parking, this open ground plan is also used to pull the pedestrians in from the street and down a set of auditorium-like steps, connecting city and building residents to the exhibition spaces below."
+
+
violentwavesofemotion:

Jean Seberg, spreading death-glares while smoking in Breathless (1960) dir. by Jean-Luc Godard
violentwavesofemotion:

Jean Seberg, spreading death-glares while smoking in Breathless (1960) dir. by Jean-Luc Godard
violentwavesofemotion:

Jean Seberg, spreading death-glares while smoking in Breathless (1960) dir. by Jean-Luc Godard
violentwavesofemotion:

Jean Seberg, spreading death-glares while smoking in Breathless (1960) dir. by Jean-Luc Godard
violentwavesofemotion:

Jean Seberg, spreading death-glares while smoking in Breathless (1960) dir. by Jean-Luc Godard
+
+
heavenhillgirl:

La collectionneuse (1967), Eric Rohmer
+
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
archatlas:

Los Molles House dRN + Oltmann Ahler
+
+
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
nnmprv:

Housing in Nantes by Antonini Darmon Architectes.
+
+
noreste:

Stoya by Tim Barber
+

“One of the glories of Badlands, brightening over time, is the absolute rightness of the casting: Martin Sheen as the laconic killer, Sissy Spacek as the scrawny schoolgirl who considers him “handsomer than anybody I’d ever met.” Neither actor had shouldered a leading role before; they look endearingly young, and everything about their movements and mannerisms—her shyness and his pretended confidence—feels perfectly calibrated, as a great deal of the film’s unsettling power derives from the characters’ sustained earnestness and charm.”
— Michael Almereyda, Badlands: Misfits

“One of the glories of Badlands, brightening over time, is the absolute rightness of the casting: Martin Sheen as the laconic killer, Sissy Spacek as the scrawny schoolgirl who considers him “handsomer than anybody I’d ever met.” Neither actor had shouldered a leading role before; they look endearingly young, and everything about their movements and mannerisms—her shyness and his pretended confidence—feels perfectly calibrated, as a great deal of the film’s unsettling power derives from the characters’ sustained earnestness and charm.”
— Michael Almereyda, Badlands: Misfits

“One of the glories of Badlands, brightening over time, is the absolute rightness of the casting: Martin Sheen as the laconic killer, Sissy Spacek as the scrawny schoolgirl who considers him “handsomer than anybody I’d ever met.” Neither actor had shouldered a leading role before; they look endearingly young, and everything about their movements and mannerisms—her shyness and his pretended confidence—feels perfectly calibrated, as a great deal of the film’s unsettling power derives from the characters’ sustained earnestness and charm.”
— Michael Almereyda, Badlands: Misfits

“One of the glories of Badlands, brightening over time, is the absolute rightness of the casting: Martin Sheen as the laconic killer, Sissy Spacek as the scrawny schoolgirl who considers him “handsomer than anybody I’d ever met.” Neither actor had shouldered a leading role before; they look endearingly young, and everything about their movements and mannerisms—her shyness and his pretended confidence—feels perfectly calibrated, as a great deal of the film’s unsettling power derives from the characters’ sustained earnestness and charm.”
— Michael Almereyda, Badlands: Misfits